Towards the age of twenty, tendinitis occurs in his right hand due to a continuous effort in the study of pieces by Liszt and Balakirev in particular. Perhaps because of the already manifest psychic instability, Scriabin considered this unfortunate event to be a sign of destiny; fate poses obstacles to achieving the desired goal: splendour, glory. The evolution of thought began, but it remained gloomy throughout the writing of the composition, also because the
young Scriabin saw serious doubts about the possibility of healing the hand. This is the humus in which the Sonata Op.6 was born and developed, which we classify as Prima even though there have been two other earlier sonatas of lesser value that remain experimental works aimed at refining the composer's compositional technique