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About 1st Sonata

Towards the age of twenty, tendinitis occurs in his right hand due to a continuous effort in the study of pieces by Liszt and Balakirev in particular. Perhaps because of the already manifest psychic instability, Scriabin considered this unfortunate event to be a sign of destiny; fate poses obstacles to achieving the desired goal: splendour, glory. The evolution of thought began, but it remained gloomy throughout the writing of the composition, also because the

young Scriabin saw serious doubts about the possibility of healing the hand. This is the humus in which the Sonata Op.6 was born and developed, which we classify as Prima even though there have been two other earlier sonatas of lesser value that remain experimental works aimed at refining the composer's compositional technique

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What we must know about Scriabin

What we must know about Scriabin is that he was a very enthusiast and a positive man that hardly believed in human race and his potential. His efforts were toward a dream to elevate the mankind to an

About 3rd Sonata

The second movement, a real moment of transition, is an Allegretto with short sentences where a fairly linear and simple theme unravels nimbly supported by a movement of octaves that act as a counters

About 2nd Sonata

The second tempo also exposes a dialectic similar to that of the time before it with regard to the maleand female principles, this time immersed in the frenzy of the Presto. It is a tour de force with

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