About 2nd Sonata
The environment is liquid, in which the pianist must move by bending the
sound material. There must be strong sounds but not with a violent attack almost as if the piano
were playing immersed in water.
The other component that I consider undeniably connected with which the composition is
permeated is the sensual, erotic one. The eroticism that never leads to vulgarism, on the contrary it
is the necessary element to complete the union between two opposite and complementary beings.
Where the two become One.