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About 3rd Sonata

The second movement, a real moment of transition, is an Allegretto with short sentences where a fairly linear and simple theme unravels nimbly supported by a movement of octaves that act as a countersong

and a rhythmic-harmonic support that also reaches consistent sonorities. In the writing of the left hand there is a rapid sound, a torch that poses executive problems. I have personally tried to

play this writing trying to solve (not without difficulty) what is a real question from which I have not escaped. After this part a section appears as a character opposed to the previous very delicate

one. At times it almost seems to feel Schumannian intimacy. At the end of this oasis returns the initial part that ends in strong with, in fact, the left hand's ache that completes, on the bass, the E flat major chord, tonality of this Allegretto.

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Next 14th of January (7 days after the 150th birth anniversary of our composer) I'll terminate the recording of this cd. Stay tuned.

Today I have finished the Scriabin 24 Preludes Op.11 and started the Etudes Op.8 for the new Dynamic Production in the auditorium Stelio-Molo in Lugano- Switzerland. I am very satisfied. Thanks to ton