• Nuccio Trotta

About 4th Sonata

Scriabin's theosophical thought takes on more and more body to the point of determining the same music. The definitive turning point

towards this direction took place in these very years, around 1900 to 1903. Music becomes proactive. The use of the major tonality is affirmed. Scriabin was able to experience positive emotions (happiness, excitement) in an almost supernatural way. In this period he wrote a libretto for a melodrama he never entirely set to music where the protagonist was the poet-musicianphilosopher (Scriabin himself). Some of the verses read like this: I am so happy that if I could instill at least a drop of happiness to the whole world, life would seem beautiful to men.

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What we must know about Scriabin

What we must know about Scriabin is that he was a very enthusiast and a positive man that hardly believed in human race and his potential. His efforts were toward a dream to elevate the mankind to an

About 3rd Sonata

The second movement, a real moment of transition, is an Allegretto with short sentences where a fairly linear and simple theme unravels nimbly supported by a movement of octaves that act as a counters

About 2nd Sonata

The second tempo also exposes a dialectic similar to that of the time before it with regard to the maleand female principles, this time immersed in the frenzy of the Presto. It is a tour de force with

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