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About 9th Sonata

Music would have been useless if it had been art aimed at pure aesthetic value. Art intended as a means to achieve a higher spiritual state of man. The world we live in and the transcendent world are intimately connected and form a unicum. The artist and in particular the musician (just like the officiant of an ancient sacred rite) would be the bridge that connects the world of human reality with the transcendental one, calling to life with his instrument the musical pieces, real creatures of the supernatural world, through the performance of the compositions themselves. Scriabin's pen, therefore, has increasingly written music guided by the precise intent of treating (if not evoking) this complex universe. It is well understood how this discourse can be

misunderstood if not easily ridiculed.

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What we must know about Scriabin

What we must know about Scriabin is that he was a very enthusiast and a positive man that hardly believed in human race and his potential. His efforts were toward a dream to elevate the mankind to an

About 3rd Sonata

The second movement, a real moment of transition, is an Allegretto with short sentences where a fairly linear and simple theme unravels nimbly supported by a movement of octaves that act as a counters

About 2nd Sonata

The second tempo also exposes a dialectic similar to that of the time before it with regard to the maleand female principles, this time immersed in the frenzy of the Presto. It is a tour de force with

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